Photoshop Tutorial: Photomerge! How to Merge Multiple Photos into a Seamless Image
Figuration: Tutorial
Description
Eiffel Tower bottom image: http://goo.gl/OZLT9O
Eiffel Tower middle image: http://goo.gl/W1vjBJ
Eiffel Tower top image: http://goo.gl/yzVxOq
Tutorial on using the Black & White adjustment layer and the Photographic Toning gradient map:
https://www.youtube.com/watch?v=7szxiTWefbE
Get up to 20% off Photoshop + Lightroom! Only $7.99 p/month:
http://goo.gl/QFznn7
Metadata
| Video ID | 133 | Youtube URL | Photoshop Tutorial: Photomerge! How to Merge Multiple Photos into a Seamless Image |
|---|---|
| Captions Available | Yes |
| Captions Downloadable | Yes |
| Playlists | |
| Duration | 00:05:53 |
| Definition | hd |
| Keywords | |
| License | youtube |
| Embeddable | Yes |
| Views | 102260 |
| Likes | 773 |
| Dislikes | 18 |
| Favourites | 0 |
| Comments | 45 |
| Created | 2017-05-04 1:00:42 PM |
| Updated | 2017-05-04 1:11:12 PM |
Captions
ASR: en
0:00:07.480,0:00:12.860
hi this is Marty from Blue Lightning TV
0:00:10.340,0:00:15.440
I'm going to show you how to easily
0:00:12.860,0:00:18.410
merge multiple photos of an individual
0:00:15.440,0:00:21.410
scene into one seamless image using
0:00:18.410,0:00:23.960
photoshop's photo merge command and then
0:00:21.410,0:00:26.059
if you watch my tutorial on the black
0:00:23.960,0:00:28.340
and white and the photographic toning
0:00:26.059,0:00:30.590
adjustment layers I'll show you how to
0:00:28.340,0:00:32.780
transform it into a stunning dramatic
0:00:30.590,0:00:35.480
image I provided the link to that
0:00:32.780,0:00:37.730
tutorial in the video description to
0:00:35.480,0:00:39.380
achieve the best results make sure you
0:00:37.730,0:00:42.530
follow a couple of guidelines when you
0:00:39.380,0:00:45.770
snap your photos first be sure to remain
0:00:42.530,0:00:48.170
standing in the same spot second make
0:00:45.770,0:00:50.720
sure you overlap each image by at least
0:00:48.170,0:00:52.790
twenty five percent so that Photoshop
0:00:50.720,0:00:54.800
has enough detail to compare between
0:00:52.790,0:00:58.010
images when trying to stitch them
0:00:54.800,0:01:01.040
together lastly maintain the same
0:00:58.010,0:01:03.620
exposure in each photo and use one focal
0:01:01.040,0:01:06.619
length in other words don't zoom in or
0:01:03.620,0:01:08.689
out I find that the simplest way to
0:01:06.619,0:01:11.060
begin is to open the individual
0:01:08.689,0:01:14.090
snapshots that will ultimately comprise
0:01:11.060,0:01:18.009
your final stitched image once you have
0:01:14.090,0:01:22.579
them opened go to file automate and
0:01:18.009,0:01:24.979
photo merge there are six layouts from
0:01:22.579,0:01:27.170
which to choose depending on the type of
0:01:24.979,0:01:28.939
lens you're using will determine which
0:01:27.170,0:01:31.819
layout is best suited to give you the
0:01:28.939,0:01:33.469
best results I generally like to try all
0:01:31.819,0:01:37.310
the layouts to see which one I like the
0:01:33.469,0:01:39.619
best using auto will analyze your source
0:01:37.310,0:01:42.319
images and chooses what it thinks is the
0:01:39.619,0:01:44.679
best layout to use however you may find
0:01:42.319,0:01:47.240
you prefer a different layout
0:01:44.679,0:01:50.149
perspective uses your middle image as
0:01:47.240,0:01:51.950
the reference and skews or stretches the
0:01:50.149,0:01:53.840
other images on either side of the
0:01:51.950,0:01:57.249
middle image so that the overlapping
0:01:53.840,0:02:00.049
content is matched to the middle image
0:01:57.249,0:02:02.810
cylindrical is best suited for creating
0:02:00.049,0:02:05.240
wide panoramas it reduces the bowtie
0:02:02.810,0:02:09.009
distortion by displaying individual
0:02:05.240,0:02:12.260
images as on an unfolded cylinder
0:02:09.009,0:02:15.560
spherical is best suited for 360-degree
0:02:12.260,0:02:17.720
panoramas it aligns and transforms the
0:02:15.560,0:02:19.810
images as if they were mapping the
0:02:17.720,0:02:23.420
inside of his sphere
0:02:19.810,0:02:25.580
collage will rotate or scale any of the
0:02:23.420,0:02:28.730
source layers to match overlapping
0:02:25.580,0:02:30.920
content I generally prefer the
0:02:28.730,0:02:32.930
reposition layout because it'll lines
0:02:30.920,0:02:35.660
and matches the source images and
0:02:32.930,0:02:38.440
doesn't stretch or skew them for this
0:02:35.660,0:02:41.120
example I'll take the reposition layout
0:02:38.440,0:02:43.670
make sure blend images together is
0:02:41.120,0:02:46.220
checked unless you intend to retouch the
0:02:43.670,0:02:48.890
layer masks by hand make sure this is
0:02:46.220,0:02:51.110
checked the vignette removal corrects
0:02:48.890,0:02:53.960
darkened edges that may happen when
0:02:51.110,0:02:56.330
using wide-angle lenses geometric
0:02:53.960,0:03:00.020
distortion correction is best suited for
0:02:56.330,0:03:04.160
fisheye lenses it compensates for barrel
0:03:00.020,0:03:07.280
pin cushion or fish I distortion click
0:03:04.160,0:03:10.130
Add open files this places all of your
0:03:07.280,0:03:12.650
open files into this window if you don't
0:03:10.130,0:03:15.740
have your individual files opened click
0:03:12.650,0:03:18.950
browse and choose your files when they
0:03:15.740,0:03:21.010
appear in this window click OK and photo
0:03:18.950,0:03:24.110
merge will automatically do the rest
0:03:21.010,0:03:27.170
basically it's creating one multi-layer
0:03:24.110,0:03:29.930
image from the source images adding
0:03:27.170,0:03:32.840
layer masks as needed to create the best
0:03:29.930,0:03:35.360
blending with the images overlap merge
0:03:32.840,0:03:39.230
all your layers by pressing ctrl e on
0:03:35.360,0:03:41.360
windows or command E on a Mac when you
0:03:39.230,0:03:44.210
use photo merge your image will always
0:03:41.360,0:03:46.640
have empty areas along its perimeter the
0:03:44.210,0:03:48.710
fastest ways to remove them are either
0:03:46.640,0:03:51.680
to crop your image thereby cutting away
0:03:48.710,0:03:54.350
the empty areas or you can use content
0:03:51.680,0:03:56.540
to where to fill them in if you choose
0:03:54.350,0:03:59.780
to crop it open your rectangular marquee
0:03:56.540,0:04:02.000
tool and drag a rectangular selection
0:03:59.780,0:04:03.920
over your image making sure the
0:04:02.000,0:04:10.130
selection is cropping out the empty
0:04:03.920,0:04:13.960
areas then go to image and crop to
0:04:10.130,0:04:16.370
deselect it press ctrl or command D
0:04:13.960,0:04:19.310
notice the empty areas have been cropped
0:04:16.370,0:04:22.250
away leaving a tighter but clean image
0:04:19.310,0:04:25.220
if you don't want your image cropped use
0:04:22.250,0:04:28.100
content aware fill I'll revert the image
0:04:25.220,0:04:29.660
back before i cropped it first I think
0:04:28.100,0:04:31.840
I'd like to rotate this image so the
0:04:29.660,0:04:35.699
eiffel tower is more vertical
0:04:31.840,0:04:39.699
I'll go to edit transform and rotate
0:04:35.699,0:04:42.729
I'll rotate it and then press Enter or
0:04:39.699,0:04:45.310
return to accept it to fill in the empty
0:04:42.729,0:04:47.919
areas with content to where we first
0:04:45.310,0:04:50.139
need to make selections around them for
0:04:47.919,0:04:52.960
this example I'll open the lasso tool
0:04:50.139,0:04:55.930
and draw around the section of an empty
0:04:52.960,0:05:00.910
area content-aware works best in small
0:04:55.930,0:05:04.630
sections go to edit fill and content to
0:05:00.910,0:05:08.950
where click OK and content-aware will
0:05:04.630,0:05:11.620
fill it in then deselect it draw around
0:05:08.950,0:05:14.530
another section and this time to open
0:05:11.620,0:05:17.560
content aware we'll use a shortcut by
0:05:14.530,0:05:20.229
pressing Shift + the f5 key at the top
0:05:17.560,0:05:24.630
of your keyboard press Enter or return
0:05:20.229,0:05:27.190
to fill it in and then deselect it
0:05:24.630,0:05:29.470
continue this process until all the
0:05:27.190,0:05:31.750
empty areas are filled in once you've
0:05:29.470,0:05:34.060
created your seamless image you can
0:05:31.750,0:05:36.010
transform it into a stunning dramatic
0:05:34.060,0:05:38.410
image using the techniques that i'll
0:05:36.010,0:05:40.570
show you in my tutorial on the black and
0:05:38.410,0:05:43.150
white and photographic toning adjustment
0:05:40.570,0:05:46.210
layers the link to that tutorial is
0:05:43.150,0:05:48.849
located in the video description this is
0:05:46.210,0:05:50.880
Marty from Blue Lightning TV thanks for
0:05:48.849,0:05:50.880
watching
standard: en
0:00:04.350,0:00:07.280
0:00:07.280,0:00:08.320
0:00:08.320,0:00:12.629
Hi. This is Marty from Blue Lightning TV.
I'm going to show you how to easily
0:00:12.629,0:00:16.029
merge multiple photos of an individual scene
0:00:16.029,0:00:19.500
into one seamless image using Photoshop's
0:00:19.500,0:00:23.400
"Photomerge" command and then, if you watch my tutorial
0:00:23.400,0:00:27.369
on the "Black & White" and the
"Photographic Toning" adjustment layers,
0:00:27.369,0:00:31.220
I'll show you how to transform it into a stunning dramatic image.
0:00:31.220,0:00:34.830
I provided the link to that tutorial in the video description.
0:00:34.830,0:00:39.230
To achieve the best results,
make sure you follow a couple of guidelines when
0:00:39.230,0:00:40.610
you snap your photos.
0:00:40.610,0:00:44.250
First, be sure to remain standing in the same spot.
0:00:44.250,0:00:49.570
Second, make sure you overlap each image by at least 25%,
0:00:49.570,0:00:53.619
so that Photoshop has enough detail to compare between images
0:00:53.619,0:00:55.500
when trying to stitch them together.
0:00:56.000,0:01:01.400
Lastly, maintain the same exposure in each photo
and use one focal length.
0:01:01.400,0:01:07.280
In other words, don't zoom in or out.
I find that the simplest way to begin
0:01:07.280,0:01:12.900
is to open the individual snapshots that
will ultimately comprise your final stitched image.
0:01:12.900,0:01:12.960
0:01:12.960,0:01:15.000
Once you have them opened,
0:01:15.000,0:01:19.759
go to File, Automate and Photomerge.
0:01:21.200,0:01:23.579
There are six layouts from which to choose.
0:01:23.579,0:01:27.729
Depending on the type of lens you're using,
will determine which layout is
0:01:27.729,0:01:29.920
best suited to give you the best results.
0:01:29.920,0:01:34.179
I generally like to try all the layouts to see which one I like the best.
0:01:34.200,0:01:37.900
Using "Auto" will analyze your source images
0:01:37.900,0:01:41.049
and chooses what it thinks is the best layout to use,
0:01:41.049,0:01:46.700
however, you may find you prefer a different layout.
Perspective uses your middle image
0:01:46.700,0:01:46.780
0:01:46.780,0:01:50.100
as the reference and skews or stretches the
0:01:50.100,0:01:53.880
other images on either side of the middle image,
so that the overlapping
0:01:53.880,0:01:56.399
content is matched to the middle image.
0:01:56.399,0:02:01.439
"Cylindrical" is best suited for creating wide panoramas.
0:02:01.439,0:02:04.649
It reduces the "bow tie" distortion by displaying
0:02:04.649,0:02:08.100
individual images as on an unfolded cylinder.
0:02:08.100,0:02:13.260
"Spherical" is best suited for 360-degree panoramas.
0:02:13.260,0:02:19.100
It aligns and transforms the images as
if they were mapping the inside of a sphere.
0:02:19.100,0:02:19.180
0:02:20.100,0:02:22.940
"Collage" will rotate or scale
0:02:22.940,0:02:28.230
any of the source layers to match overlapping content.
I generally prefer
0:02:28.230,0:02:29.970
the "Reposition" layout
0:02:29.970,0:02:34.240
because it aligns and matches the source images and doesn't stretch
0:02:34.240,0:02:38.140
or skew them. For this example, I'll tick the "Reposition" layout.
0:02:38.140,0:02:41.700
Make sure "Blend Images Together" is checked.
0:02:41.720,0:02:45.290
Unless you intend to retouch the layer masks by hand,
0:02:45.290,0:02:50.060
make sure this is checked.
The "Vignette Removal" corrects darkened edges
0:02:50.060,0:02:55.250
that may happen when using wide-angle lenses.
"Geometric Distortion Correction"
0:02:55.250,0:02:59.250
is best suited for fish-eye lenses. It compensates
0:02:59.250,0:03:02.690
for barrel, pincushion or fish-eye distortion.
0:03:03.900,0:03:05.880
Click "Add Open Files".
0:03:05.880,0:03:09.070
This place is all of your open files into this window.
0:03:09.070,0:03:12.160
If you don't have your individual files opened,
0:03:12.160,0:03:17.010
click "Browse" and choose your files.
When they appear in this window,
0:03:17.010,0:03:21.080
click "OK" and Photomerge will automatically do the rest.
0:03:21.080,0:03:24.250
Basically, it's creating one multilayer
0:03:24.250,0:03:28.140
image from the source images, adding layer masks
0:03:28.140,0:03:32.050
as needed to create the best blending
with the images overlap.
0:03:32.050,0:03:36.300
Merge all your layers by pressing Ctrl + E on Windows
0:03:36.300,0:03:40.450
or Cmd + E on a Mac. When you use Photomerge,
0:03:40.450,0:03:43.610
your image will always have empty areas along its perimeter.
0:03:43.610,0:03:48.180
The fastest ways to remove them
are either to crop your image, thereby
0:03:48.180,0:03:50.080
cutting away the empty areas
0:03:50.080,0:03:53.400
or you can use "Content Aware" to fill them in.
0:03:53.400,0:03:57.450
if you choose to crop it, open your Rectangular Marquee Tool
0:03:57.450,0:04:01.250
and drag a rectangular selection over your image
0:04:01.250,0:04:04.680
making sure the selection is cropping out the empty areas.
0:04:04.800,0:04:08.040
Then, go to Image and Crop.
0:04:10.000,0:04:11.370
To deselect it,
0:04:11.370,0:04:14.570
press Ctrl or Cmd + D.
0:04:14.570,0:04:17.579
Notice, the empty areas have been cropped away leaving
0:04:17.579,0:04:22.030
a tighter but clean image. If you don't want your image cropped,
0:04:22.030,0:04:27.159
use Content Aware Fill. I'll revert the image back before I cropped it.
0:04:27.159,0:04:31.800
First, I think I'd like to rotate this image,
so the Eiffel Tower is more vertical.
0:04:31.800,0:04:31.830
0:04:31.830,0:04:35.900
I'll go to Edit, Transform and Rotate.
0:04:36.939,0:04:41.200
I'll rotate it and then press Enter or Return to accept it.
0:04:41.860,0:04:47.600
To fill in the empty areas with Content Aware,
we first need to make selections around them.
0:04:47.600,0:04:50.939
For this example, I'll open the "Lasso Tool"
0:04:50.939,0:04:57.000
and draw around the section of an empty area.
Content Aware works best in small sections.
0:04:57.000,0:04:57.080
0:04:57.080,0:05:00.110
Go to Edit, Fill
0:05:00.110,0:05:03.249
and Content Aware. Click OK
0:05:03.249,0:05:06.270
and Content Aware will fill it in.
0:05:06.270,0:05:10.439
Then, deselect it. Draw around another section
0:05:10.439,0:05:14.400
and this time, to open Content Aware, we'll use a shortcut
0:05:14.400,0:05:19.000
by pressing Shift + F5 at the top of your keyboard.
0:05:19.330,0:05:21.200
Press Enter or Return to fill it in
0:05:22.979,0:05:29.000
and then deselect it. Continue this
process until all the empty areas are filled in.
0:05:29.000,0:05:29.029
0:05:29.029,0:05:33.240
Once you've created your seamless image,
you can transform it into a stunning,
0:05:33.240,0:05:34.759
dramatic image
0:05:34.759,0:05:38.759
using the techniques that I'll show you
in my tutorial on the "Black & White"
0:05:38.759,0:05:43.139
and "Photographic Toning" adjustment layers. The link to that tutorial
0:05:43.139,0:05:48.389
is located in the video description.
This is Marty from Blue Lightning TV.
0:05:48.389,0:05:49.229
Thanks for watching!
standard: id
0:00:04.350,0:00:07.280
0:00:07.280,0:00:08.320
0:00:08.320,0:00:12.629
Hai. Ini adalah Marty dari Blue Lightning TV. Aku akan menunjukkan kepada Anda cara mudah
0:00:12.629,0:00:16.029
menggabungkan foto dari beberapa individual scene
0:00:16.029,0:00:19.500
menjadi satu gambar menggunakan Photoshop
0:00:19.500,0:00:23.400
"Photomerge" perintah dan kemudian, jika Anda menonton tutorial saya
0:00:23.400,0:00:27.369
pada "Black & White" dan "Fotografi Toning" lapisan penyesuaian,
0:00:27.369,0:00:31.220
Saya akan menunjukkan cara untuk mengubahnya menjadi gambar yang dramatis dan menakjubkan.
0:00:31.220,0:00:34.830
Aku menyediakan link untuk tutorial dalam deskripsi video.
0:00:34.830,0:00:39.230
Untuk mencapai hasil terbaik, pastikan Anda mengikuti beberapa pedoman saat
0:00:39.230,0:00:40.610
Anda mengambil foto Anda.
0:00:40.610,0:00:44.250
Pertama, pastikan untuk tetap berdiri di tempat yang sama.
0:00:44.250,0:00:49.570
Kedua, pastikan Anda tumpang tindih setiap gambar setidaknya kurang lebih 25%,
0:00:49.570,0:00:53.619
sehingga Photoshop cukup detail untuk membandingkan gambar
0:00:53.619,0:00:55.500
ketika mencoba untuk menyatukan mereka bersama-sama.
0:00:56.000,0:01:01.400
Terakhir, mempertahankan eksposur yang sama di setiap foto dan gunakan satu panjang fokus (one focal length).
0:01:01.400,0:01:07.280
Dengan kata lain, tidak memperbesar atau memperkecil. Saya menemukan bahwa cara paling sederhana untuk memulai
0:01:07.280,0:01:12.900
0:01:12.900,0:01:12.960
0:01:12.960,0:01:15.000
Setelah anda membukanya
0:01:15.000,0:01:19.759
pergi ke Menu File, Automate and Photomerge
0:01:21.200,0:01:23.579
ada 6 layout yang bisa di pilih
0:01:23.579,0:01:27.729
tergantung pada tipe lensa yang kamu gunakan, akan menentukan layout yang tepat
0:01:27.729,0:01:29.920
untuk memberikan kamu hasil yang baik
0:01:29.920,0:01:34.179
Aku lebih suka mencoba semua layout untuk melihat mana yang lebih bagus
0:01:34.200,0:01:37.900
menggunakan "Auto" akan menganalisa gambarmu
0:01:37.900,0:01:41.049
dan memilih mana layout yang lebih baik baik untuk digunakan
0:01:41.049,0:01:46.700
Namun, kamu mungkin akan menemukan layout lain yang kamu suka.
0:01:46.700,0:01:46.780
Perspektif menggunakan gambar tengahmu
0:01:46.780,0:01:50.100
sebagai referensi dan atau kemiringan
0:01:50.100,0:01:53.880
gambar lain antara sisi ujung dari gambar tengah, jadi gambar yang di hasilkan
0:01:53.880,0:01:56.399
berdasarkan gambar tengah.
0:01:56.399,0:02:01.439
"Cylindrical" adalah pilihan tepat dalam membuat panorama
0:02:01.439,0:02:04.649
Mengurangi distorsi "dasi kupu-kupu" dengan menampilkan
0:02:04.649,0:02:08.100
masing masing gambar dilipat silindris
0:02:08.100,0:02:13.260
"Spherical" adalah pilihan tepat untuk 360-degree panorama
0:02:13.260,0:02:19.100
Ini meluruskan dan mengubah gambar seolah-olah mereka memetakan bagian dalam bola.
0:02:19.100,0:02:19.600
0:02:20.100,0:02:22.940
"Collage" akan memutar atau
0:02:22.940,0:02:28.230
skala salah satu lapisan sumber untuk mencocokkan konten tumpang tindih. Aku biasanya lebih suka
0:02:28.230,0:02:29.970
"Reposition" layout
0:02:29.970,0:02:34.240
karena sejalan dan sesuai dengan gambar sumber dan tidak meregang
0:02:34.240,0:02:38.140
atau condong mereka. Untuk contoh ini, saya akan centang "Reposisi" layout.
0:02:38.140,0:02:41.700
Pastikan "Blend Images Together" dicentang.
0:02:41.720,0:02:45.290
Kecuali Anda berniat untuk retouch lapisan pelindung
0:02:45.290,0:02:50.060
pastikan ini dicentang. "Vignette Removal" akan mengoreksi tepi gelap
0:02:50.060,0:02:55.250
yang mungkin terjadi saat menggunakan lensa wide-angle.
0:02:55.250,0:02:59.250
"Geometric Distortion Correction" paling cocok untuk lensa fish-eye. Ini mengkompensasi
0:02:59.250,0:03:02.690
untuk barel, bantalan atau distorsi mata ikan.
0:03:03.900,0:03:05.880
Klik "Add Open Files".
0:03:05.880,0:03:09.070
Tempat ini adalah semua file yang terbuka ke dalam jendela ini.
0:03:09.070,0:03:12.160
Jika kalian tidak mendapati masing masing file terbuka,
0:03:12.160,0:03:17.010
Klik "Browse" and pilih file kamu. Jika mereka muncul di jendela ini,
0:03:17.010,0:03:21.080
klik "OK" dan Photomerge akan berjalan dengan otomatis
0:03:21.080,0:03:24.250
Pada dasarnya, ini membuat 1 multilayer
0:03:24.250,0:03:28.140
gambar dari sumber gambar, menambahkan lapisan pelindung
0:03:28.140,0:03:32.050
yang diperlukan untuk menciptakan pencampuran terbaik dengan gambar tumpang tindih.
0:03:32.050,0:03:36.300
Merge all your layers by pressing Ctrl + E on Windows
0:03:36.300,0:03:40.450
atau Cmd + E pada Mac. Bila Anda menggunakan Photomerge,
0:03:40.450,0:03:43.610
gambar Anda akan selalu memiliki area kosong di sepanjang perimeter.
0:03:43.610,0:03:48.180
Cara tercepat untuk menghilangkan mereka adalah dengan memotong gambar Anda, sehingga
0:03:48.180,0:03:50.080
memotong daerah kosong
0:03:50.080,0:03:53.400
atau Anda dapat menggunakan "Content Aware" untuk mengisi mereka.
0:03:53.400,0:03:57.450
jika Anda memilih untuk memotong itu, buka Rectangular Marquee Tool
0:03:57.450,0:04:01.250
dan tarik pilihan persegi panjang di atas gambar Anda
0:04:01.250,0:04:04.680
pastikan seleksinya memotong keluar daerah kosong.
0:04:04.800,0:04:08.040
Kemudian, pergi ke Image dan potong
0:04:10.000,0:04:11.370
untuk menghapusnya
0:04:11.370,0:04:14.570
tekan Ctrl or Cmd + D.
0:04:14.570,0:04:17.579
Perhatikan, daerah kosong telah dipotong
0:04:17.579,0:04:22.030
Jika Anda tidak ingin gambar Anda dipotong,
0:04:22.030,0:04:27.159
gunakan "Content Aware Fill". Saya akan mengembalikan gambar kembali sebelum saya potong.
0:04:27.159,0:04:31.800
Pertama, saya pikir saya ingin memutar gambar ini, sehingga Menara Eiffel lebih vertikal.
0:04:31.800,0:04:31.830
0:04:31.830,0:04:35.900
saya akan mengedit, mengubah dan memutar
0:04:36.939,0:04:41.200
saya akan putar dan kemudian tekan Enter atau Return untuk menerimanya.
0:04:41.860,0:04:47.600
Untuk mengisi daerah kosong dengan Content Aware, pertama kita perlu membuat pilihan di sekitar mereka.
0:04:47.600,0:04:50.939
Untuk contoh ini, saya akan membuka "Lasso Tool"
0:04:50.939,0:04:57.000
dan menarik di sekitar bagian dari area kosong. Content Aware bekerja di bagian-bagian kecil.
0:04:57.000,0:04:57.080
0:04:57.080,0:05:00.110
Pergi ke Edit, Fill
0:05:00.110,0:05:03.249
dan Content Aware. Klik Ok
0:05:03.249,0:05:06.270
dan Content Aware will fill it in
0:05:06.270,0:05:10.439
Kemudian, hapus. tarik di sekitar area yang lain
0:05:10.439,0:05:14.400
dan, sekarang bukalah Content Aware, kita akan menggunakan shortcut(jalan pintas)
0:05:14.400,0:05:19.000
dengan menekan Shift + F5 pada keyboard
0:05:19.330,0:05:21.200
tekan enter atau Return to Fill it in
0:05:22.979,0:05:29.000
dan kemudian hapus. lakukan terus sampai seluruh bagian kosong area terpenuhi
0:05:29.000,0:05:29.029
0:05:29.029,0:05:33.240
Setelah Anda membuat gambar mulus, Anda dapat mengubahnya menjadi menakjubkan,
0:05:33.240,0:05:34.759
gambar dramatis
0:05:34.759,0:05:38.759
menggunakan teknik yang akan saya tunjukkan dalam tutorial saya pada "Black & White"
0:05:38.759,0:05:43.139
dan "Photographic Toning" penyesuaian lapisan. Link ke tutorial itu
0:05:43.139,0:05:48.389
terdapat pada deskripsi video. Ini Marty dari Blue Lightning TV.
0:05:48.389,0:05:49.229
Terimakasih telah menyaksikan
Profiles
Profile 1
| Purpose | Tutorial (why) |
|---|---|
| Content | |
| Participants | Photoshop (m) geek |
| Form | Tutorial (how) |
| Time | |
| Place |
Profile 2
| Purpose | Tutorial |
|---|---|
| Content | Scene |
| Participants | Photoshop (m) geek |
| Form | Tutorial (how) |
| Time | Real time |
| Place | Desktop |
Profile 4
| Purpose | |
|---|---|
| Content | Scene |
| Participants | |
| Form | |
| Time | |
| Place |