ASR: en
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I
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it's summertime you shoot a wedding or
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an outdoor portrait and because of the
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heat your subject has shiny skin or your
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noodle lighting and you haven't quite
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perfected things yet and you have a
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great shot but your subject skin is
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shiny it's actually really easy to fix
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in post production a few quick reminders
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fix it in post is never the best
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solution so as you're practicing and
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you're learning your craft always strive
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to get it right in-camera and also if
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you're doing portraits or head shots or
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modeling shots and you really want up
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your game lighting is just a piece of
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the puzzle you need to find a really
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great makeup artist to get really great
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images and move your work to the pro
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level ok the retouching tip here is a
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great portrait that was posted in my
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facebook group by stig holman from
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norway we have a very pretty young
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subject with lots of personality but no
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makeup artist and the image is just
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slightly overexposed so we wind up with
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shiny skin on the forehead the nose and
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the tops of the cheeks so do we scrap
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this image heck no it's a great shot and
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it's easily repaired so let's start with
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Photoshop I've already taken care of
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exposure contrast color etc in the
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camera raw panel all I need to do now is
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create a blank layer if you're a little
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OCD and like to label your layers will
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call this one shine now I'm going to use
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the eyedropper to sample the skin color
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right next to this large area of shine
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on the subjects forehead then I'll
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select my brush tool I'm going to keep
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it a very soft brush with 0% hardness
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I'll also change the blending mode of
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the brush to darken and set the opacity
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down around fifteen percent adjust your
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brush size to cover the area you're
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working on and simply brush over the
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shine
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and there it goes this also works just
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as effectively on dark skin as you can
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see in this shot taken with direct flash
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from my recent video about light
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modifiers
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now I know that some of you have not
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made the jump to photo shop yet and
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you're working strictly in Lightroom
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that's okay there is a fixed for shiny
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skin that works very well in Lightroom
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it just takes a little more effort in
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Lightroom we're going to use the Spot
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Healing tool to eliminate the shine but
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we need to finesse it just a little bit
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so as I bring Stig's portrait up in the
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developed panel of Lightroom I'll select
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the spot healing tool and the first
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thing I'll do is set the feathering to
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somewhere between 70 and 90 just like
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with Photoshop we want a very soft brush
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I'll leave the opacity at 100 for now
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and adjust my brush size to match the
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area that I want to work on now I'll go
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ahead and I'll brush over the shine that
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I want to remove and you can see that
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lightroom auto magically selects the
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similar area to sample now this may be
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too much so all you need to do to
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finesse this is adjust the opacity until
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you get the desired look it takes a
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little more effort it's not quite as
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fast as in Photoshop but it works very
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well and yes it works equally as well on
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darker skin so there you have it a quick
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and easy solution to remove unwanted
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shine in both Photoshop and Lightroom so
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go practice and until next time remember
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your best shot is your next shot so keep
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learning keep thinking and keep shooting
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adios thanks for watching if you find
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these videos helpful please give them a
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thumbs up and subscribe so that you
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don't miss a single episode and if
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you've got a question that you'd like
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answered post it in the comments section
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below your question could be my next
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video
standard: es
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El verano está aquí
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tomas fotografías de una boda o un retrato en exteriores
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y por causa del calor
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tu sujeto tiene la piel brillante
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o eres nuevo en iluminación y no la has perfeccionado aún
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y tienes una gran toma, pero la piel de tu sujeto está brillante.
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Es algo muy fácil de arreglar en post-producción.
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"Recuerda"
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Algunos recordatorios
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"arréglalo en post"
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nunca es la mejor solución
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así que mientras practicas y aprendes tu oficio
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siempre esfuérzate por hacerlo bien con la cámara.
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Y también, si haces retratos, tomas frontales o tomas de modelaje
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y quieres mejorar tus resultados
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la iluminación es sólo una pieza del rompecabezas.
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Necesitas encontrar un maquillador realmente bueno
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para obtener imágenes realmente buenas
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y elevar tu trabajo a un nivel profesional.
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OK el consejo de retoque.
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Este es un gran retrato publicado en mi grupo de Facebook
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por Stig-Arve Holmem de Noruega.
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Tenemos un sujeto bastante joven con mucha personalidad
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peros sin maquillador.
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La imagen está un poco sobre expuesta
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así que obtuvimos una piel brillante en la frente
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la nariz y mejillas.
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¿Entonces descartamos esta imagen?
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¡Claro que no! Es una gran toma y fácil de reparar.
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Empecemos con Photoshop
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ya corregí la exposición, contraste, color en el panel "Camera Raw"
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todo lo que necesito hacer es crear una capa en blanco
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si eres algo obsesivo y te gusta marcar tus capas
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llamaremos esta "Shine"
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Ahora usaré el "eyedropper" para seleccionar el color de la piel
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justo después de esta gran área de brillo en la frente del sujeto.
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Luego selecciono el color del pincel.
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Voy a usar un pincel bastante suave con dureza del 0%.
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También cambiaré el mezclado del pincel a más oscuro
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y bajaré la opacidad alrededor del 15%.
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Ajusta el tamaño del pincel para cubrir el área en la que trabajas
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y simplemente pintar sobre la parte brillante.
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¡Y ahí lo tienen!
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Funciona igual de bien en pieles más oscuras
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como pueden ver en esta imagen tomada con flash directo
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de mi reciente video sobre modificaciones en la iluminación.
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Sé que muchos de ustedes no han hecho el salto a Photoshop aún
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y trabajan únicamente con Lightroom.
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Eso está bien, hay una herramienta para la piel brillante que funciona muy bien en Lightroom
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sólo se necesita un poco más de trabajo.
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En Lightroom vamos a usar la herramienta "spot healing" para eliminar el brillo
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pero tenemos que refinarla un poco.
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Al traer el retrato de Stig en el panel de desarrollo de Lightroom
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selecciono la herramienta "spot healing" y lo primero que hago es ajustar el "feathering"
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entre 70 y 90.
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Al igual que en Photoshop, queremos un pincel muy suave.
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Dejaré la opacidad en 100 por ahora
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y ajusto el tamaño del pincel según el tamaño del área donde trabajaré.
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Ahora pintaré el brillo que quiero eliminar
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y puedes ver cómo Lightroom selecciona un área similar a la muestra.
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Esto podría ser demasiado, así que todo lo que hay que hacer para refinarlo
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es ajustar la opacidad hasta obtener el resultado deseado.
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Requiere un poco más de trabajo, y no es tan fantástico como Photoshop
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pero funciona muy bien.
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Y sí, funciona igual de bien en piel más oscura.
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Así que ahí lo tienen, una solución rápida y fácil para eliminar el brillo no deseado
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usando Photoshop y Lightroom.
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Así que practiquen, hasta la próxima y recuerden...
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su mejor toma es su siguiente toma.
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Así que sigan aprendiendo, sigan pensando, y sigan fotografiando.
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¡Adiós!
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Gracias por verme, si te ayudó este video
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por favor, dame tus pulgares arriba y suscríbete
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así no te perderás ningún episodio.
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Y si tienes preguntas y quieres respuestas
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déjalas en la sección de comentarios
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tu pregunta podría ser mi próximo video.