Description

Get the look of the Yashica EZ F512 camera in Photoshop. The Yashica EZ F521 has a nostalgic color characteristic similiar to film. I like it so much that I wanted to buy a second one as a backup. But it’s no longer being produced and I can’t find it anyone selling it for a reasonable price. So as a personal project, I created a set of Photoshop actions to emulate everything from this camera… from the film-like color characteristics to all of the in-camera effects… and even the sharpness and noise pattern.

DOWNLOAD PHOTOSHOP ACTIONS:
https://www.photoshoptutorials.ws/downloads/photoshop-actions/photoshop-actions-emulate-yashica-ez-f521-camera/

HOW TO MATCH TONES IN PHOTOSHOP:
https://www.youtube.com/watch?v=mqbPaysMX3A

WHERE TO BUY YASHICA EZ F521:
I'm having a hard time finding where to buy the camera. But you can check these links in case they appear. This camera has been released under different brands. If you know of any other rebrands, please let us know in the comments.
- Yashica EZ F521: http://amzn.to/2fi3hem
- Takashi FX521 (Rebrand): http://amzn.to/2eItPSs
- JOCO VX5 (Rebrand): http://amzn.to/2dZbkdZ

Links:
? Video Transcript: https://dennystips.com/yashica-f521-photoshop-actions/
? Photoshop & Lightroom Products: https://sparklestock.com
? Photoshop Books: http://amzn.to/2fDsVtZ

Subscribe:
? https://youtube.com/dennystips?sub_confirmation=1

Follow Me:
? Website: https://dennystips.com/
? Instagram: https://instagram.com/dennystips/
? Facebook: http://facebook.com/dennystips
?Twitter: https://twitter.com/dennystips
? Snapchat: dennystips

?? Did you like/dislike this video? Please let me know in the comments below.

Metadata

Video ID 225
Youtube URL Yashica F521 Photoshop Actions
Captions Available Yes
Captions Downloadable Yes
Playlists
Duration 00:07:55
Definition hd
Keywords
License youtube
Embeddable Yes
Views 1612
Likes 13
Dislikes 0
Favourites 0
Comments 5
Created 2017-05-04 1:00:43 PM
Updated 2017-05-04 1:12:35 PM

Captions

ASR: en

0:00:06.299,0:00:10.660
hello everyone this week I spent the

0:00:09.129,0:00:12.639
entire time making some really cool

0:00:10.660,0:00:15.789
photoshop actions based on my favorite

0:00:12.639,0:00:19.720
camera this here is the yashica ESET at

0:00:15.789,0:00:22.690
521 it's cheap plastic II and only 5

0:00:19.720,0:00:25.060
megapixels but de fotos de cameras are

0:00:22.690,0:00:26.890
really nice unlike most digital

0:00:25.060,0:00:28.600
mammography cameras which are really

0:00:26.890,0:00:31.180
just cheap cameras rebranded as

0:00:28.600,0:00:33.129
something stylish and retro the yashica

0:00:31.180,0:00:36.309
has a nice color characteristic that's

0:00:33.129,0:00:37.649
similar to film I like it so much that I

0:00:36.309,0:00:40.269
wanted to buy a second one as a backup

0:00:37.649,0:00:41.710
but it's no longer being produced and I

0:00:40.269,0:00:44.019
can't find anyone selling it for a

0:00:41.710,0:00:45.940
reasonable price so as a personal

0:00:44.019,0:00:47.710
project I created a set of photoshop

0:00:45.940,0:00:49.780
actions to emily everything from this

0:00:47.710,0:00:51.999
camera from the film like color

0:00:49.780,0:00:54.519
characteristics to all of the in-camera

0:00:51.999,0:00:56.859
effects and even the sharpness and noise

0:00:54.519,0:00:59.049
pattern I spent so much time making

0:00:56.859,0:01:01.420
these photoshop actions to get them to

0:00:59.049,0:01:02.859
look as authentic as possible and I

0:01:01.420,0:01:04.690
wasn't even sure if this was something

0:01:02.859,0:01:06.070
that people wanted i figured that i

0:01:04.690,0:01:08.409
might as well make it into a proper

0:01:06.070,0:01:10.570
product that other people can use and if

0:01:08.409,0:01:11.740
people like it they like it if not at

0:01:10.570,0:01:15.190
least it's something that i can still

0:01:11.740,0:01:16.780
use right anyways if you're interested

0:01:15.190,0:01:18.130
in these folders shop actions you can

0:01:16.780,0:01:20.830
find you download link in the video

0:01:18.130,0:01:22.330
description after downloading you can

0:01:20.830,0:01:25.360
install them by double clicking on the

0:01:22.330,0:01:27.280
ATN file once you have the a-10 file

0:01:25.360,0:01:29.050
loaded you can find the actions in the

0:01:27.280,0:01:31.170
actions panel if you don't see this

0:01:29.050,0:01:34.420
panel you can open it by going to window

0:01:31.170,0:01:36.400
actions select the play all effects

0:01:34.420,0:01:38.440
action the hit the play button on the

0:01:36.400,0:01:39.940
bottom of the panel it'll automatically

0:01:38.440,0:01:41.440
render all of the effects so that you

0:01:39.940,0:01:44.290
don't need to play the actions one by

0:01:41.440,0:01:46.000
one once the action is done playing you

0:01:44.290,0:01:48.130
can click continue to open the history

0:01:46.000,0:01:50.380
panel and now you can pick any effect

0:01:48.130,0:01:52.330
you like by the way in the free version

0:01:50.380,0:01:54.940
you only get access to a couple of these

0:01:52.330,0:01:58.140
effects if you want all of them you can

0:01:54.940,0:01:58.140
upgrade to a pro version

0:01:59.630,0:02:04.350
for the layer set up you'll find it very

0:02:02.220,0:02:05.970
clean and simple it's made with the

0:02:04.350,0:02:07.470
two-layer technique which is the most

0:02:05.970,0:02:09.600
simple and efficient way to color

0:02:07.470,0:02:11.490
gradient Photoshop if you want to learn

0:02:09.600,0:02:14.100
more about that you can find a link to a

0:02:11.490,0:02:16.080
tutorial in the photo description if you

0:02:14.100,0:02:17.640
purchase the pro version and thank you

0:02:16.080,0:02:21.569
so much for your support by the way

0:02:17.640,0:02:23.580
you'll get to etienne files if you're

0:02:21.569,0:02:25.770
using photoshop CC make sure that you

0:02:23.580,0:02:27.510
use the photoshop CC edition which can

0:02:25.770,0:02:29.580
automatically detect a fixed common

0:02:27.510,0:02:31.980
document issues such as if your image is

0:02:29.580,0:02:34.760
in the wrong color mode the pro version

0:02:31.980,0:02:37.080
also comes with a lot more features in

0:02:34.760,0:02:39.269
addition to getting all of the cameras

0:02:37.080,0:02:41.940
filters you'll also get an action that

0:02:39.269,0:02:44.070
will lie to emulate the image quality it

0:02:41.940,0:02:46.470
will resize your image it will match the

0:02:44.070,0:02:49.110
softness of the sensor and lens it will

0:02:46.470,0:02:51.090
add the same sharpening effect and it

0:02:49.110,0:02:52.980
will even emulate the same noise pattern

0:02:51.090,0:02:54.900
the end result is something that's

0:02:52.980,0:02:57.540
incredibly close to what the camera

0:02:54.900,0:02:59.340
produces now if you want to go back to

0:02:57.540,0:03:01.500
original document it's all been

0:02:59.340,0:03:03.329
preserved in this layer here simply

0:03:01.500,0:03:04.950
double click on it and you'll open your

0:03:03.329,0:03:07.590
original document with all of your

0:03:04.950,0:03:09.420
layers you can make any changes you like

0:03:07.590,0:03:12.660
and when you're done simply save and

0:03:09.420,0:03:15.120
close the document in the image quality

0:03:12.660,0:03:16.739
layer group you'll find two layers you

0:03:15.120,0:03:19.680
can change the opacity to adjust the

0:03:16.739,0:03:21.600
strength of the layers the image quality

0:03:19.680,0:03:24.329
layer here basically emulates the

0:03:21.600,0:03:26.250
softness of the camera there's also an

0:03:24.329,0:03:28.140
unstrap mass smart filter which you can

0:03:26.250,0:03:30.049
turn on or off and this emulates the

0:03:28.140,0:03:31.980
sharpening effect that the camera does

0:03:30.049,0:03:33.780
the noise pattern where is

0:03:31.980,0:03:35.730
self-explanatory well you're probably

0:03:33.780,0:03:38.160
wondering what these mosaic filters are

0:03:35.730,0:03:40.530
here for basically they pick selecting

0:03:38.160,0:03:42.239
noise in that specific way to match the

0:03:40.530,0:03:44.700
noise pattern that's generated from the

0:03:42.239,0:03:46.380
camera getting the right noise pattern

0:03:44.700,0:03:48.390
just makes the emulation look way more

0:03:46.380,0:03:50.209
authentic and I personally think I plays

0:03:48.390,0:03:52.859
a significant role in the overall look

0:03:50.209,0:03:54.840
the final and best feature of the pro

0:03:52.859,0:03:57.299
version is that you get the color lookup

0:03:54.840,0:03:58.980
files with these files you can apply the

0:03:57.299,0:04:01.230
same color grading effect in other

0:03:58.980,0:04:02.730
software such as Adobe Premiere and

0:04:01.230,0:04:04.709
media encoder

0:04:02.730,0:04:06.269
it's also better to use these in

0:04:04.709,0:04:08.700
Photoshop because they have much more

0:04:06.269,0:04:11.010
accurate colors to describe it quickly

0:04:08.700,0:04:13.769
to color lockup file will adjust the

0:04:11.010,0:04:15.750
colors based on the tonal range unlike

0:04:13.769,0:04:17.639
the photoshop actions the colors will

0:04:15.750,0:04:20.910
shift depending if it's in the shadows

0:04:17.639,0:04:23.040
mid-tones or highlights to use them in

0:04:20.910,0:04:24.990
photoshop simply add a color lookup

0:04:23.040,0:04:28.080
adjustment layer or played a loaded look

0:04:24.990,0:04:31.020
up file action give your layer name then

0:04:28.080,0:04:34.110
click OK in the 3d lut file drop-down

0:04:31.020,0:04:37.080
click on load 3d light browse for the

0:04:34.110,0:04:38.630
file and click OK at first glance it

0:04:37.080,0:04:40.770
looks the same as the photoshop actions

0:04:38.630,0:04:42.930
well if you compare the photos side by

0:04:40.770,0:04:45.000
side you'll notice quite a significant

0:04:42.930,0:04:48.060
difference especially with high contrast

0:04:45.000,0:04:50.160
and colorful photos so that's how do you

0:04:48.060,0:04:52.199
photoshop actions work if you need any

0:04:50.160,0:04:54.060
help just open the instructions to HTML

0:04:52.199,0:04:56.370
file and you'll find more details in

0:04:54.060,0:04:58.110
there to end this video here are some

0:04:56.370,0:05:00.949
before-and-after examples it mean with

0:04:58.110,0:05:00.949
these photoshop actions

0:05:48.970,0:05:52.820
guys thanks for watching this video if

0:05:51.440,0:05:54.980
you liked it please hit the like button

0:05:52.820,0:05:56.570
so I got asked this question a couple of

0:05:54.980,0:05:58.880
times and it is how do you emulate

0:05:56.570,0:06:00.590
effects and photoshop for example if you

0:05:58.880,0:06:02.510
shoot with film how do you take a foam

0:06:00.590,0:06:04.160
that you like and using tones and colors

0:06:02.510,0:06:06.800
of this film and your digital camera

0:06:04.160,0:06:08.419
photos there's a way to do it I haven't

0:06:06.800,0:06:10.280
taught it to you guys yet not because

0:06:08.419,0:06:13.010
I'm trying to keep a secret from you but

0:06:10.280,0:06:15.020
because number one is convoluted and not

0:06:13.010,0:06:17.120
straight for it at all number two is

0:06:15.020,0:06:18.680
expensive and what I mean by that is you

0:06:17.120,0:06:21.860
need one of these color calibration

0:06:18.680,0:06:24.110
charts this thing here is 140 US dollars

0:06:21.860,0:06:25.790
so it's not cheap it was very hard for

0:06:24.110,0:06:27.470
me to justify buying it and I can

0:06:25.790,0:06:30.110
imagine how hard it is for other people

0:06:27.470,0:06:32.300
but this is what it looks like and this

0:06:30.110,0:06:34.400
is the same chart that I used to create

0:06:32.300,0:06:36.980
the ashika photoshop actions which is

0:06:34.400,0:06:38.660
this camera over here basically what you

0:06:36.980,0:06:40.370
do is you take a picture with your film

0:06:38.660,0:06:42.320
or under whatever camera you want and

0:06:40.370,0:06:44.360
one with your digital camera then you

0:06:42.320,0:06:46.190
try to get the two images to match I

0:06:44.360,0:06:48.350
already taught you guys how to match the

0:06:46.190,0:06:50.570
tones in Photoshop and that is my tone

0:06:48.350,0:06:52.640
matching tutorial the next step is to

0:06:50.570,0:06:55.490
match the colors which is a lot harder

0:06:52.640,0:06:57.440
and what I mean by that is you can get

0:06:55.490,0:06:59.210
easily get the red greens and blues to

0:06:57.440,0:07:01.430
match but once you get these colors to

0:06:59.210,0:07:03.470
match the other colors will shift so you

0:07:01.430,0:07:06.380
make an adjustment to fix those colors

0:07:03.470,0:07:08.570
but that adjustment won't I'll ruined

0:07:06.380,0:07:09.919
your red greens and blues again so you

0:07:08.570,0:07:11.570
keep going back and forth with these

0:07:09.919,0:07:13.850
adjustments and it's never-ending

0:07:11.570,0:07:16.070
there's a way to make kids that all of

0:07:13.850,0:07:18.260
the colors will match but I'm working on

0:07:16.070,0:07:19.940
a new technique for it I want it to be

0:07:18.260,0:07:21.370
sort of like my tone chart technique

0:07:19.940,0:07:23.720
where you're taking for something very

0:07:21.370,0:07:25.310
complicated and you're simplifying it

0:07:23.720,0:07:27.919
down so that the average person will be

0:07:25.310,0:07:29.570
able to understand and do it I just need

0:07:27.919,0:07:31.640
to refine it a bit and make sure it

0:07:29.570,0:07:33.350
works in different scenarios so give me

0:07:31.640,0:07:34.760
a bit of time and once I find out I

0:07:33.350,0:07:37.190
would definitely make it tutorial for

0:07:34.760,0:07:38.840
you anyways thanks for watching guys and

0:07:37.190,0:07:40.790
for those of you who purchase my

0:07:38.840,0:07:43.190
photoshop actions thank you so much for

0:07:40.790,0:07:44.600
your support I really appreciate it let

0:07:43.190,0:07:46.100
me know what you think any comments

0:07:44.600,0:07:48.970
if you have any questions feel free to

0:07:46.100,0:07:48.970
send me a message

standard: en

0:00:04.690,0:00:09.100
Hello everyone! This week I spent the

0:00:09.100,0:00:10.630
entire time making some really cool

0:00:10.630,0:00:12.639
photoshop actions based on my favorite

0:00:12.639,0:00:13.570
camera.

0:00:13.570,0:00:15.789
This here, is the Yashica EZ

0:00:15.789,0:00:19.180
521- it's cheap plasticky and

0:00:19.180,0:00:21.850
only 5 megapixels but the photos that

0:00:21.850,0:00:23.980
come with this are really nice

0:00:23.980,0:00:26.110
unlike most digital American cameras

0:00:26.110,0:00:27.970
which are really just cheap cameras

0:00:27.970,0:00:30.040
rebranded as something stylish and metro,

0:00:30.040,0:00:32.860
Yashica has a nice color characteristic

0:00:32.860,0:00:35.710
that's similar to film, I like it so much

0:00:35.710,0:00:37.570
that I wanted to buy a second one as a

0:00:37.570,0:00:38.469
backup but

0:00:38.469,0:00:40.239
it's no longer being produced and I

0:00:40.239,0:00:41.679
can't find anyone selling it for a

0:00:41.679,0:00:42.909
reasonable price.

0:00:42.909,0:00:45.339
So, as a personal project, I created a set

0:00:45.339,0:00:47.350
of photoshop actions to emulate everything

0:00:47.350,0:00:49.510
from this camera; from the film-like

0:00:49.510,0:00:51.519
color characteristics, to all of the

0:00:51.519,0:00:53.949
in-camera effects. And even the sharpness

0:00:53.949,0:00:56.679
and noise pattern, I spent so much time

0:00:56.679,0:00:58.749
making these photoshop actions to get

0:00:58.749,0:01:00.249
them to look as authentic as possible

0:01:00.249,0:01:02.829
and I wasn't sure if this was something

0:01:02.829,0:01:04.780
that people wanted but I figured that I

0:01:04.780,0:01:06.070
might as well make it into a proper

0:01:06.070,0:01:08.320
product that other people can use. And if

0:01:08.320,0:01:10.570
people like it, they like it, if not at

0:01:10.570,0:01:11.650
least it's something that I can still

0:01:11.650,0:01:15.160
use, right? Anyways, if you're interested

0:01:15.160,0:01:16.990
in these photoshop actions, you can find

0:01:16.990,0:01:17.950
the download link in the video

0:01:17.950,0:01:20.860
description. After downloading you can

0:01:20.860,0:01:22.870
store them by double-clicking on ATM

0:01:22.870,0:01:25.780
file, once you have the ATM file loaded,

0:01:25.780,0:01:27.640
you can find the actions in the "Actions

0:01:27.640,0:01:29.590
Panel", if you don't see this panel, you

0:01:29.590,0:01:32.200
can open it by going to "Window" -> "Actions"

0:01:32.200,0:01:35.530
select the play all effects action, hit the

0:01:35.530,0:01:38.170
play button on the bottom of the panel

0:01:38.170,0:01:39.700
it'll automatically render all of the effects so that

0:01:39.700,0:01:41.230
you don't need to play the actions one

0:01:41.230,0:01:42.280
by one.

0:01:42.280,0:01:44.470
Once the action is done playing, you can

0:01:44.470,0:01:46.240
click continue to open the "History Panel"

0:01:46.240,0:01:48.430
and now you can pick any effect you like.

0:01:48.430,0:01:50.890
By the way, in the free version you only

0:01:50.890,0:01:52.780
get access to a couple of these effects,

0:01:52.780,0:01:55.120
if you want all of them you can upgrade

0:01:55.120,0:01:57.050
to a pro version.

0:01:57.050,0:02:02.270
For the entire setup, you'll find it very

0:02:02.270,0:02:03.650
clean and simple.

0:02:03.650,0:02:05.390
It's made with the two-layer technique

0:02:05.390,0:02:06.980
which is the most simple and efficient

0:02:06.980,0:02:09.229
way to color gradient photoshop. If you

0:02:09.229,0:02:10.760
want to learn more about that, you can

0:02:10.760,0:02:12.440
find a link to a tutorial in the video

0:02:12.440,0:02:14.870
description. If you purchase the pro

0:02:14.870,0:02:16.820
version and thank you so much for your

0:02:16.820,0:02:19.520
support by the way. You'll get two ATN

0:02:19.520,0:02:23.210
files, if you're using Photoshop CC, make

0:02:23.210,0:02:25.190
sure you use the photoshop CC edition

0:02:25.190,0:02:27.260
which can automatically detect and fix

0:02:27.260,0:02:29.210
common document issues such as, if your

0:02:29.210,0:02:32.030
images in the wrong colormode, the pro version

0:02:32.030,0:02:35.480
also comes with a lot more features, in

0:02:35.480,0:02:37.100
addition to getting all of the cameras

0:02:37.100,0:02:37.940
filters,

0:02:37.940,0:02:39.770
you'll also get an action that will let

0:02:39.770,0:02:42.620
you emulate the image quality. It will resize

0:02:42.620,0:02:44.570
your image, it will match the softness of

0:02:44.570,0:02:46.760
the sensor and lens - it will have the

0:02:46.760,0:02:49.460
same sharpening effect and it will even

0:02:49.460,0:02:52.100
emulate the same noise pattern. The end

0:02:52.100,0:02:53.630
result is something that's incredibly

0:02:53.630,0:02:56.870
close to what the camera produces. Now, if

0:02:56.870,0:02:57.770
you want to go back to your original

0:02:57.770,0:03:00.050
document, it's all been preserved in this

0:03:00.050,0:03:02.660
layer here. Simply double click on it and

0:03:02.660,0:03:04.640
it'll open your original document with all

0:03:04.640,0:03:07.220
of your layers. You can make any changes

0:03:07.220,0:03:08.750
you like and when you're done, simply

0:03:08.750,0:03:12.470
save and close the document. In the image

0:03:12.470,0:03:14.180
quality layer group, you'll find two

0:03:14.180,0:03:16.340
layers. You can change the opacity to

0:03:16.340,0:03:19.160
adjust the strength of the layers, the

0:03:19.160,0:03:21.110
image quality layer here, basically emulates

0:03:21.110,0:03:23.180
the softness of the camera.

0:03:23.180,0:03:25.430
There's also an "Unsharp Mask Smart

0:03:25.430,0:03:27.500
Filter" which you can turn on or off and

0:03:27.500,0:03:29.209
it emulates the sharpening effect that the

0:03:29.209,0:03:31.970
camera does. The noise pattern layer is

0:03:31.970,0:03:33.800
self-explanatory but you're probably

0:03:33.800,0:03:35.660
wondering what these mosaic filters are

0:03:35.660,0:03:38.720
here for, basically they pixelate the noise in

0:03:38.720,0:03:40.760
that specific way to match the noise

0:03:40.760,0:03:42.590
pattern that's generated from the camera.

0:03:42.590,0:03:44.959
Getting the right noise pattern just

0:03:44.959,0:03:46.430
makes the emulation look way more

0:03:46.430,0:03:48.410
authentic and I personally think it plays

0:03:48.410,0:03:50.840
a significant role in the overall look.

0:03:50.840,0:03:52.879
The final and best feature of the pro

0:03:52.879,0:03:54.830
version is that you get a color lookup

0:03:54.830,0:03:57.349
files, with these files you can apply the

0:03:57.349,0:03:59.000
same color grading effect in other

0:03:59.000,0:04:01.220
software such as Adobe Premiere and

0:04:01.220,0:04:02.480
mediate quarter.

0:04:02.480,0:04:04.670
It's also better to use these in

0:04:04.670,0:04:06.230
Photoshop because they have much more

0:04:06.230,0:04:08.750
accurate colors. To describe it quickly,

0:04:08.750,0:04:10.970
the color lookup file will adjust the

0:04:10.970,0:04:13.160
colors based on a tonal range,

0:04:13.160,0:04:15.560
unlike the Photoshop actions, the colors

0:04:15.560,0:04:17.150
will shift depending if it's in the

0:04:17.150,0:04:20.630
shadows, mid-tones, and highlights. To use

0:04:20.630,0:04:22.610
them in photoshop, simply add a color

0:04:22.610,0:04:24.410
lookup adjustment layer or play the

0:04:24.410,0:04:27.260
loaded lookup file action. Give your

0:04:27.260,0:04:29.990
layer a name, then click OK. In the 3d

0:04:29.990,0:04:32.510
LUT file drop down, click on "Load 3d

0:04:32.510,0:04:33.410
LUT".

0:04:33.410,0:04:36.320
Browse for the file then click OK, at

0:04:36.320,0:04:37.880
first glance it looks the same as the

0:04:37.880,0:04:40.190
photoshop actions, but if you compare the

0:04:40.190,0:04:42.169
photos side by side, you'll notice quite

0:04:42.169,0:04:44.270
a significant difference especially with

0:04:44.270,0:04:47.810
high contrast and colorful photos. So that's

0:04:47.810,0:04:49.789
how to photoshop actions work, if you

0:04:49.789,0:04:51.500
need any help just open the instructions

0:04:51.500,0:04:53.900
HTML file and you'll find more details

0:04:53.900,0:04:56.330
in there. To end this video, here are some

0:04:56.330,0:04:58.070
before-and-after examples and made with

0:04:58.070,0:05:29.040
these photoshop actions.

0:05:29.040,0:05:51.690
Thanks for watching this video, if you

0:05:51.690,0:05:53.820
liked it please hit the like button. So, I

0:05:53.820,0:05:54.960
got asked this question a couple of

0:05:54.960,0:05:56.940
times, and it is how do you emulate effects

0:05:56.940,0:05:59.070
in photoshop? For example, if you shoot

0:05:59.070,0:06:00.690
with film, how do you take a film that

0:06:00.690,0:06:02.760
you like and use the tones and colors of

0:06:02.760,0:06:04.800
this film in your digital camera photos?

0:06:04.800,0:06:06.960
There's a way to do it, I haven't told

0:06:06.960,0:06:08.760
you guys yet not because I'm trying to

0:06:08.760,0:06:10.470
keep it a secret from you but because,

0:06:10.470,0:06:13.050
number one it's convoluted and not

0:06:13.050,0:06:14.310
straightforward at all,

0:06:14.310,0:06:16.290
number two it's expensive and what I mean

0:06:16.290,0:06:18.240
by that is you need one of these color

0:06:18.240,0:06:20.430
calibration charts. This thing here is a

0:06:20.430,0:06:22.770
hundred forty US dollars so it's not

0:06:22.770,0:06:23.430
cheap.

0:06:23.430,0:06:24.750
It was very hard for me to justify

0:06:24.750,0:06:26.640
buying it and i can imagine how hard it

0:06:26.640,0:06:29.520
is for other people, but this is what it

0:06:29.520,0:06:31.500
looks like and this is the same chart that I used

0:06:31.500,0:06:33.570
to create the Yashica photoshop

0:06:33.570,0:06:35.010
actions; which is this camera over here.

0:06:35.010,0:06:37.800
Basically, what you do is you take a

0:06:37.800,0:06:39.450
picture with your film or under whatever

0:06:39.450,0:06:41.400
camera you want and one was your digital

0:06:41.400,0:06:43.080
camera. Then you try to get the two

0:06:43.080,0:06:44.760
images to match,

0:06:44.760,0:06:46.170
I already told you guys how to match the

0:06:46.170,0:06:48.300
tones in Photoshop and that is my tonal

0:06:48.300,0:06:49.710
matching tutorial.

0:06:49.710,0:06:51.450
The next step is to match the colors

0:06:51.450,0:06:54.510
which is a lot harder and what I mean by

0:06:54.510,0:06:56.400
that is, you can get easily get the red

0:06:56.400,0:06:58.560
green and blue to match, but once you get

0:06:58.560,0:07:00.180
these colors to match the other colors

0:07:00.180,0:07:02.490
will shift. So you make an adjustment to

0:07:02.490,0:07:04.830
fix those colors but that adjustment

0:07:04.830,0:07:07.320
well it'll ruin your red, greens and blues

0:07:07.320,0:07:09.660
again. So, you keep going back and forth

0:07:09.660,0:07:10.890
with these adjustments and it's

0:07:10.890,0:07:11.910
never-ending.

0:07:11.910,0:07:13.860
There's a way to make kits that are all of

0:07:13.860,0:07:16.050
the colors will match, but I'm working on

0:07:16.050,0:07:17.580
a new technique for it.

0:07:17.580,0:07:19.260
I wanted it to be sort of like my tone

0:07:19.260,0:07:20.580
chart technique where you're taking for

0:07:20.580,0:07:22.980
something very complicated and you're

0:07:22.980,0:07:24.690
simplifying it down such an average

0:07:24.690,0:07:26.370
person will be able to understand and do.

0:07:26.370,0:07:29.220
I just need to refine it a bit and make

0:07:29.220,0:07:31.380
sure it works in different scenarios, so

0:07:31.380,0:07:33.090
give me a bit of time and once I find

0:07:33.090,0:07:34.380
out I would definitely make a tutorial

0:07:34.380,0:07:35.340
for you.

0:07:35.340,0:07:37.889
Anyways, thanks for watching guys and for

0:07:37.889,0:07:39.270
those of you who purchased my photoshop

0:07:39.270,0:07:39.960
actions,

0:07:39.960,0:07:41.160
thank you so much for your support! I

0:07:41.160,0:07:43.470
really appreciate it, let me know what

0:07:43.470,0:07:44.850
you think in the comments and if you

0:07:44.850,0:07:46.260
have any questions, feel free to send

0:07:46.260,0:07:51.979
your message.

Screenshots

Filter:
Participant: Photoshop (m) geek
Participant: nameless (f) model

Profiles

Profile 1

Purpose Tutorial (why)
Content
Participants nameless (f) model, Photoshop (m) geek, Audience
Form Tutorial (how)
Time
Place

Profile 2

Purpose Tutorial
Content Scene
Participants Photoshop (m) geek
Form Tutorial (how), Mid shot
Time Real time
Place Desktop

Profile 3

Purpose
Content
Participants
Form
Time Medium
Place Desktop, set

Profile 4

Purpose
Content Scene
Participants
Form
Time
Place