ASR: en
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hi I'm Chelsea and today I'm going to
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show you how to use Lightroom to enhance
0:00:04.380,0:00:10.349
eyes I'm not going to provide a photo
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file today because you can just follow
0:00:10.349,0:00:14.009
along on any portrait but I recommend
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that it's a woman because i'll do a
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little bit of makeup and you don't want
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to do that to a man or child I mean
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maybe you do you know what I take that
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back you just do it you want okay so the
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first thing that I'm going to do is
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select the adjustment brush and the
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effect that I'm going to use is iris
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enhance and I'll make my brush a bit
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bigger you can press o to turn on your
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mask and if you want to change the color
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press shift and oh you do green white
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dark I'm going to go with red since my
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eyes are green and I'm just selecting
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the IRS not the pupil or the whites of
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the eyes so if you press 0 again and you
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get rid of your mask and you can see
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that the iris enhanced just kind of
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sharpens and you can see exactly in this
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panel here what it's doing it enhances
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the clarity and the saturation a little
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bit and ups the exposure and it settle I
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i should mention i'm keeping it really
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subtle i always see that the eyes can
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kind of be over enhanced so what I'm
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guessing is going to happen because this
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is what always happens to me is that I
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do all the edits and then it I make the
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person look like a crazy creepy I person
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and then you go in and you dial it all
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back about twenty thirty percent so I'm
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just going to stick with that going to
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be my method okay so I created a new
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adjustment brush and now I'm going into
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my effects and I'm selecting dodge
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because I want to lagan and can i zoom
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in more oh Lord I can't zoom in more but
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I'm just going to
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here let me put on my mask select the
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whites of the eyes and if you're a
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little bit sloppy like I'm being that's
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okay is you can go to the erase brush
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and let's see let me put my flow almost
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all the way up and drop the size and
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just clean up my selection a bit i'm
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just going to subtly weight in the eyes
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brighten them a little bit the wipes
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brother think that overly
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Dwight's is one of those things that can
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make enhance and the eyes look really
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unnatural and creepy you look at a
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portrait of somebody you don't want to
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thank Wow her eyes are terrifying you
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want to think that's a nice portrait or
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that's a good picture of Bob and Aunt
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Susan okay so let's see this is where
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the exposure was and then it just raised
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it a little bit if you want to
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incrementally raise these you can just
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hover over them and use the up and down
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keys or left and right and that's subtle
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sometimes if my eyes are red or my
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subjects eyes are red I'll also just
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lower the saturation a little bit not
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too much because you get it's very gray
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looking
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Oh raising the high life little okay and
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then I created a new adjustment brush
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and the next thing that I'm going to do
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is light and again and this time I'm
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going to light in around the eyes so
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make my brush a bit bigger and just
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doing like a triangle under the eyes
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because when you light in under the eyes
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that actually brings out the eyes this
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is something people do when they do
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makeup
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and I'll go to my erase brush again and
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lower the flow and then just blend the
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Sun we make my brush bigger and blend it
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in and you can notice that I did kind of
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a triangle under the eyes kind of like
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what you see when you use Rembrandt
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lighting appear to that sort of thing
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okay I'll make a new adjustment brush
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again new mask again and I'm going to
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also lighting around the eyes and do
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this part of the I hear that makes the
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eyes look bigger and right above the
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people that makes the eyes look wider I
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bet your life whoa Chelsea knows a lot
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about eyes it's true do few light and
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under the eyebrows and it makes the arch
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the higher which I don't really need but
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i don't it sounds like I think I'm cool
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i'll select a new adjustment brush and
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now i'm going to do some burning
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kind of like all over the place maybe I
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should have just done the iris first you
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know what kind of call it it cuz i do
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what works for you and I'm just
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selecting the laugh line let me put on
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my mask so you can see what I'm doing
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I'm getting into the lash line I don't
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want to go too far here because then if
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you put dark colors on the inside of the
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eyes that makes them look closer
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together and usually not like a look
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that people are going for and use my
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erase tool
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oh my flow is down me and just get it
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out of my eyes and off of my waterline
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this part right above the lashes this is
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the waterline and you want that to be
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lighter not darker because that makes
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your eyes look bigger
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and you can see if i adjust it down what
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I did kind of like using that is the
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guys let me see I'm just going to blend
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it in a bit more
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so a lot of making new brushes I just
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keep pressing new over and over again
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the reason why I do that is because you
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can go into any of these little pin and
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you can see what you adjusted and you
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can go back and readjust them so just
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making a lot of new pins a lot of new
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adjustment brushes means that you have
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more control over your final edit so I
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can go back in and say well the whites
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look too bright and I can specifically
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change that I brightened a lot of things
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but if I had linked the whites of the
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eyes with the lightning I did around the
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eyes then maybe one thing was bright
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enough but another thing wasn't or vice
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versa and I wouldn't have control over
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that have to erase things and redo them
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so this just makes it easier to go back
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and adjust every little change that you
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make you can see this is the iris
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brightening and you can see it all right
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there let me think okay so I'll make a
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new adjustment layer I'm going to go
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back into burn and you can see I'm
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selecting these effects but then I kind
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of go in and customize them you can do
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that too I recommend that okay one thing
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that brings out the eyes is enhancing
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the dark line around the iris especially
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if the person has the light eyes is then
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it makes the brighter inner part of the
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IRS stand out there's more contract and
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let's see there's a line there and I
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don't want to be too dark
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this layer i think i'm actually going to
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add a little sharpening to that there we
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go
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making a new brush and then I'm keeping
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it in Bern and I'm going to add a little
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bit of makeup but you don't have to do
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but I want to do that letting it here
0:09:05.199,0:09:10.149
when you're adding I shower I shadow
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usually want to follow this line here
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from the corner of the eye to the edge
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of the eyebrow unless the person has
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done something really unusual with their
0:09:16.959,0:09:20.829
eyebrows like where the natural eyebrow
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would be when i go from the corner to
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their eyebrow and kind of just follow
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this pattern
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you
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and then you can go a little bit into
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your lower lash line two
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my hair is here so I'm just going to
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have to pretend that it's not right so
0:09:48.949,0:09:55.370
I'll erase this part and then I'm going
0:09:53.449,0:10:00.250
to lower the flow on my erase brush and
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just blend in what I did
0:10:02.630,0:10:06.350
I'll increase the flow because I just
0:10:05.270,0:10:08.590
want to make sure that there's none in
0:10:06.350,0:10:08.590
my eye
0:10:11.620,0:10:16.970
and I'll turn off
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I'm ask and I'll lower the exposure a
0:10:16.970,0:10:26.300
little bit and then I want to also
0:10:20.420,0:10:27.890
change the color and I have green eyes
0:10:26.300,0:10:30.920
i'm going to go towards the purpley
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color and then also bring down the blues
0:10:30.920,0:10:34.420
a little bit move out to lunch
0:10:35.710,0:10:39.350
and now I have I shadow
0:10:37.880,0:10:40.970
if you bring up the highlights a little
0:10:39.350,0:10:43.460
bit then you get some of the natural
0:10:40.970,0:10:45.470
skin underneath and it looks more
0:10:43.460,0:10:47.390
natural it looks more like it's on my
0:10:45.470,0:10:49.850
skin than it I did this it just looks
0:10:47.390,0:10:52.520
like it looks flat looks like it's just
0:10:49.850,0:10:54.410
sitting on top so you do this and then
0:10:52.520,0:10:56.120
the natural highlights of the skin show
0:10:54.410,0:11:03.830
through and it looks like makeup is
0:10:56.120,0:11:07.310
actually a bud okay so we have I shadow
0:11:03.830,0:11:09.370
eyeliner brightened whites enhance the
0:11:07.310,0:11:12.830
IRS everything a little bit sharpen
0:11:09.370,0:11:15.080
let's do the eyebrow because that's
0:11:12.830,0:11:17.390
important to eyebrows frame your face
0:11:15.080,0:11:19.970
and your eyes so if they're not well
0:11:17.390,0:11:22.970
defined then your eyes don't show as
0:11:19.970,0:11:26.240
much then we'll pop out as much popping
0:11:22.970,0:11:28.630
eyes that's important okay so i have a
0:11:26.240,0:11:32.930
new adjustment layer and it's burn and
0:11:28.630,0:11:37.790
you don't want to do too much one of the
0:11:32.930,0:11:39.710
persons look strange but just naturally
0:11:37.790,0:11:44.020
define their eyebrows and your eyebrow
0:11:39.710,0:11:47.570
should be at the edge of your nose and
0:11:44.020,0:11:50.750
then i add an angle from the side of
0:11:47.570,0:11:52.040
your eye to your nose like this so from
0:11:50.750,0:11:56.350
the corner of the nose so the edge of
0:11:52.040,0:12:06.970
the eye up gain my eyebrows are on point
0:11:56.350,0:12:11.690
okay that's pretty good for two Durkin
0:12:06.970,0:12:18.710
let me zoom out and press Y to see the
0:12:11.690,0:12:21.440
floor and after I don't think I went too
0:12:18.710,0:12:22.790
far this time actually normally what i
0:12:21.440,0:12:24.770
would do is kind of take a break because
0:12:22.790,0:12:27.770
i've been acclimating to all of these
0:12:24.770,0:12:29.960
adjustments go get a drink or a snack or
0:12:27.770,0:12:31.310
whatever go do something else come back
0:12:29.960,0:12:33.740
and look at it again and if your first
0:12:31.310,0:12:35.090
thought is like whoa wait too much to
0:12:33.740,0:12:37.660
the eyes then you know you have to go in
0:12:35.090,0:12:40.070
and kind of undo some of your edits but
0:12:37.660,0:12:42.380
sending here now maybe i'm wrong but it
0:12:40.070,0:12:46.570
looks pretty good oh so one last thing
0:12:42.380,0:12:50.360
that you may or may not want to do is
0:12:46.570,0:12:51.680
add more eyelashes sometimes it works
0:12:50.360,0:12:54.800
out well sometimes it does
0:12:51.680,0:12:56.210
it can depend on the picture I have more
0:12:54.800,0:12:58.310
control in Photoshop but I'm just
0:12:56.210,0:13:00.430
keeping these videos to Lightroom I get
0:12:58.310,0:13:04.160
people asking me that some time but I
0:13:00.430,0:13:06.920
will get to doing Photoshop videos but
0:13:04.160,0:13:08.570
for now business that's happening okay
0:13:06.920,0:13:12.470
so we want the size of the brush all the
0:13:08.570,0:13:13.850
way down that small as it goes and the
0:13:12.470,0:13:16.040
exposure all the way down just so you
0:13:13.850,0:13:18.080
can see what you're doing and you want
0:13:16.040,0:13:23.690
to follow where the lashes already are
0:13:18.080,0:13:25.670
and make them longer I know what you're
0:13:23.690,0:13:29.050
thinking you're like this looks like a
0:13:25.670,0:13:34.149
spider's leg Chelsea this looks stupid
0:13:29.050,0:13:34.149
you're right it's going to get better
0:13:35.230,0:13:40.700
you want to follow the natural arch this
0:13:38.540,0:13:43.820
is a lot easier with my wacom tablet if
0:13:40.700,0:13:45.589
you're into drawing you want to follow
0:13:43.820,0:13:47.120
the natural patterns of eyelashes you
0:13:45.589,0:13:49.220
can see that they crisscross you can add
0:13:47.120,0:13:54.920
like another one like that and like that
0:13:49.220,0:13:56.600
I feel like because I can't I think it's
0:13:54.920,0:13:59.180
the size of the picture it's not letting
0:13:56.600,0:14:00.950
me make my brush as small as I'd want it
0:13:59.180,0:14:05.060
works better when your brush can be
0:14:00.950,0:14:06.560
smaller but so this is what you do and
0:14:05.060,0:14:08.240
you make the lashes a little bit longer
0:14:06.560,0:14:12.770
because what you're going to do is go to
0:14:08.240,0:14:15.800
do a trace brush and put the flow down a
0:14:12.770,0:14:17.690
bit and then you're going to erase the
0:14:15.800,0:14:20.060
tip so that these fake cares that you're
0:14:17.690,0:14:22.330
making naturally paper off like real
0:14:20.060,0:14:22.330
hairs
0:14:26.260,0:14:30.230
look a little bit crummy but it takes a
0:14:28.940,0:14:36.740
little bit of practice to get them
0:14:30.230,0:14:41.320
straightened and now we adjust the
0:14:36.740,0:14:41.320
exposure so that they're far more subtle
0:14:48.490,0:14:54.279
and then you can see it just makes the
0:14:51.070,0:14:57.630
eyelashes a bit thicker that's a holster
0:14:54.279,0:14:59.800
so if you like this video subscribe
0:14:57.630,0:15:01.000
because they'll have more coming up soon
0:14:59.800,0:15:02.890
and i'll have more lightroom videos
0:15:01.000,0:15:04.660
coming out longer ones on doing things
0:15:02.890,0:15:06.490
like portraits and landscapes shorter
0:15:04.660,0:15:08.170
ones on enhancing eyes and lips and all
0:15:06.490,0:15:09.760
sorts of things like that and we'll also
0:15:08.170,0:15:13.149
have some photoshop videos coming out
0:15:09.760,0:15:14.830
soon so subscribe like share it if you
0:15:13.149,0:15:16.839
like it and if you really want to learn
0:15:14.830,0:15:19.300
a lot of that lightroom check out our
0:15:16.839,0:15:23.490
book or lightroom 5 book i think it's
0:15:19.300,0:15:23.490
good and i think people too thanks bye
standard: en
0:00:00.000,0:00:04.440
Hi, I'm Chelsea and today I'm going to
show you how to use Lightroom to enhance
0:00:04.440,0:00:05.520
eyes.
0:00:05.520,0:00:10.559
I'm not going to provide a photo file
today because you can just follow along
0:00:10.559,0:00:14.370
on any portrait, but I recommend that
it's a woman because i'll do a little
0:00:14.370,0:00:22.020
bit of makeup and you don't want to do
that to a man or a child. I mean, maybe you do.
0:00:22.020,0:00:26.430
You know what, I take that back, you just, you do what you want.
0:00:26.430,0:00:38.190
Okay, so the first thing that I'm going to
do is select the adjustment brush and
0:00:38.960,0:00:44.360
the effect that I'm going to use is iris
enhance.
0:00:45.420,0:00:48.500
And I'll make my brush a bit bigger,
0:00:48.510,0:00:54.030
you can press O to turn on your mask. If
you want to change the color, press shift+O
0:00:54.030,0:00:58.380
and you can do green, white, dark.
0:00:58.380,0:01:00.720
I'm going to go with red since my eyes
are green.
0:01:08.240,0:01:13.960
And I'm just selecting the iris, not the pupil or the
whites of the eyes.
0:01:14.250,0:01:19.350
So if you press O again, then you get rid
of your mask and you can see that the
0:01:19.350,0:01:23.610
iris enhance just kind of sharpens and, well
you can see exactly in this panel here
0:01:23.610,0:01:27.540
what it's doing. It enhances the clarity
and the saturation a little bit and ups
0:01:27.540,0:01:29.390
the exposure.
0:01:29.390,0:01:32.510
And it's subtle. I should mention i'm
keeping it really subtle,
0:01:32.510,0:01:37.190
I always see that the eyes can kind of
be over enhanced, so what I'm guessing is
0:01:37.190,0:01:40.100
going to happen, because this is what
always happens to me, is that I do all
0:01:40.100,0:01:43.100
the edits and then it will make the
person look like a crazy
0:01:43.909,0:01:48.549
creepy-eyed person and then you go in and you dial
it all back about twenty, thirty percent.
0:01:48.800,0:01:52.940
So I'm just going to stick with that. It's
going to be my method.
0:01:52.940,0:01:58.310
Okay, so i created a new adjustment brush
and now I'm going into my effects and
0:01:58.310,0:02:01.270
i'm selecting dodge because i want to
lighten.
0:02:03.840,0:02:05.840
And can I zoom in more?
0:02:06.900,0:02:10.680
Oh lord, I can't zoom in more but i'm just
going to
0:02:12.920,0:02:18.110
here let me put on my mask, select the
whites of the eyes, and if you're a
0:02:18.110,0:02:27.090
little bit sloppy like I'm being that's
okay. Because you can go to the erase brush.
0:02:28.480,0:02:35.700
And let's see, let me put my flow
almost all the way up and drop the size
0:02:41.020,0:02:47.540
and clean up my selection a bit. I'm just gonna subtly
0:02:47.540,0:02:50.810
whiten the eyes, brighten them a little
bit.
0:02:50.810,0:02:56.540
The whites, rather. I think that overly-whitened
0:02:56.540,0:03:00.379
whites is one of those things that
can make enhancing the eyes look
0:03:00.379,0:03:03.530
really unnatural and creepy.
0:03:03.530,0:03:08.670
When you look at a portrait of somebody, you
don't want to think, "wow, your eyes are terrifying ."
0:03:08.880,0:03:13.420
You want to think, "that's a nice
portrait" or "that's a good picture of uncle Bob
0:03:13.940,0:03:15.280
and aunt Susan."
0:03:16.280,0:03:19.380
Okay, so let's see.
0:03:21.460,0:03:23.220
This is where the exposure was,
0:03:23.480,0:03:26.420
and then it just raised it a
little bit. If you want to incrementally
0:03:26.420,0:03:31.640
raise these, you can just hover over them
and use the up and down keys or left and right.
0:03:38.140,0:03:39.620
and that's subtle.
0:03:39.620,0:03:43.580
Sometimes if my eyes are red, or my
subjects eyes are red, I'll also just lower
0:03:43.580,0:03:48.260
the saturation a little bit, not too much
because you get, it gets very grey looking.
0:03:53.020,0:03:55.160
Just raising the highlights a little.
0:04:02.160,0:04:09.140
And then I created a new adjustment brush and
the next thing that I'm going to do is
0:04:09.140,0:04:14.820
lighten again, and this time I'm going
to lighten around the eyes.
0:04:16.840,0:04:25.880
I'll make my brush a bit bigger and just doing like a
triangle under the eyes.
0:04:26.820,0:04:30.760
Because when you lighten under the eyes that actually
brings out the eyes.
0:04:30.770,0:04:33.770
This is something people do when they do
makeup.
0:04:35.680,0:04:39.480
And I'll go to my erase brush again and lower the flow
0:04:40.360,0:04:45.310
and then just blend this in. Let me make my
brush bigger, and blend it in.
0:04:45.310,0:04:49.750
And you'll notice that I did kind of a triangle
under the eyes, kind of like what you see when
0:04:49.750,0:04:54.570
you use Rembrandt lighting. If you're into that
sort of thing.
0:04:54.699,0:04:59.439
Ok, I'll make a new adjustment brush
again,
0:04:59.440,0:05:04.980
a new mask again, and I'm going to also
lighten around the eyes and do this
0:05:05.520,0:05:10.719
part of the eye here, that makes the eyes look
bigger, and right above the pupil, that
0:05:10.719,0:05:12.580
makes the eyes look wider.
0:05:14.080,0:05:17.920
I bet you're like, "woah, Chelsea knows a lot about eyes."
0:05:19.060,0:05:22.400
It's true. I do.
0:05:24.100,0:05:30.980
If you lighten under the eyebrow, that makes the arch look higher, which I don't really need but...
0:05:30.980,0:05:38.240
"I don't need it." It sounds like I think I'm cool. I'll select
a new adjustment brush and now I'm going
0:05:38.240,0:05:41.240
to do some burning.
0:05:44.160,0:05:46.240
I'm kinda like, all over the place.
0:05:46.240,0:05:50.420
Maybe I should have just done
the iris, but you know what? I'm just gonna go with it.
0:05:51.300,0:05:52.820
You gotta do what works for you.
0:05:56.100,0:06:00.180
And I'm just selecting the lash line, let me put on my mask so you can see what I'm doing.
0:06:02.620,0:06:05.280
I'm getting into the lash line,
0:06:05.289,0:06:09.430
I don't want to go too far here because
then if you put dark colors on the
0:06:09.430,0:06:16.089
inside of the eyes it makes them look
closer together and usually not like a
0:06:16.089,0:06:22.229
look that people are going for. And I'll use
my erase tool.
0:06:25.520,0:06:27.039
Oh, my flow is down.
0:06:30.740,0:06:32.040
And just get it out of
0:06:32.240,0:06:37.340
my eyes and off of my waterline, this
part right above the lashes. This is the
0:06:37.340,0:06:42.830
waterline and you want that to be
lighter not darker, because that makes
0:06:42.830,0:06:44.190
your eyes look bigger.
0:06:47.120,0:06:48.680
And you can see if I
0:06:48.689,0:06:53.159
adjust it down, what I did- ah! I kind of like using that
as a guide, let me see.
0:06:54.629,0:06:56.689
I'm just going to blend it in a bit more
0:07:03.849,0:07:06.180
That's a lot of making new brushes.
0:07:06.180,0:07:09.389
I just keep pressing new over and over again.
The reason why you do that is because you
0:07:09.389,0:07:14.009
can go into any of these little pins and
you can see what you adjusted and you
0:07:14.009,0:07:16.310
can go back and readjust them.
0:07:16.310,0:07:20.240
So just making a lot of new pins, a lot
of new adjustment brushes, means that you
0:07:20.240,0:07:24.020
have more control over your final edit.
So I can go back in and say, "well the whites
0:07:24.020,0:07:27.370
look too bright" and I can specifically
change that.
0:07:27.370,0:07:30.880
I brightened a lot of things, but if I
linked the whites of the eyes with the
0:07:30.880,0:07:35.110
lightening I did around the eyes, then
maybe one thing was bright enough but
0:07:35.110,0:07:38.889
another thing wasn't or vice versa, and
I wouldn't have control over that. I'd have
0:07:38.889,0:07:43.540
to erase things and redo them. So this
just makes it easier to go back and
0:07:43.540,0:07:50.290
adjust every little change that you make.
You can see this is the iris brightening and
0:07:50.290,0:07:51.610
you can see it all right there.
0:07:54.020,0:07:59.600
Okay, so I'll make a new adjustment
layer, I'm going to go back into burn and
0:07:59.620,0:08:03.280
you can see i'm selecting these effects
but then I kind of go in and customize
0:08:03.280,0:08:04.300
them.
0:08:04.860,0:08:07.300
You can do that too, I recommend that.
0:08:12.640,0:08:22.620
One thing that brings out the eyes is
enhancing the dark line around the iris,
0:08:22.620,0:08:26.970
especially if the person has light
eyes, because then it makes the brighter inner
0:08:26.970,0:08:28.040
part of the iris
0:08:29.140,0:08:36.500
stand out. There's more contrast. And you can see there's a line there.
0:08:36.880,0:08:38.460
And I don't want to be too dark.
0:08:42.860,0:08:45.040
This layer, I think i'm actually going to add
0:08:45.040,0:08:48.040
a little sharpening to that. There we go.
0:08:51.380,0:08:54.280
I'm making a new brush, and then I'm
0:08:54.300,0:09:00.240
keeping it in burn and I'm going to add
a little bit of make up. Which you don't have
0:09:00.240,0:09:03.220
to do, but i want to do that.
0:09:04.240,0:09:09.100
I'm adding it here. When you're adding
eyeshadow, you usually want to
0:09:09.100,0:09:14.020
follow this line here from the corner of
the eye to the edge of the eyebrow,
0:09:14.020,0:09:17.950
unless the person has done something really unusual with their eyebrows, like
0:09:17.950,0:09:22.760
where the natural eyebrow would be. You want
to go from the corner of their eyebrow and
0:09:24.160,0:09:26.280
just follow this pattern.
0:09:36.080,0:09:39.100
And then you can go a little bit into
your lower lash line too.
0:09:42.800,0:09:44.240
My hair is here so I'm just gonna have to
0:09:46.080,0:09:47.140
pretend that it's not.
0:09:48.380,0:09:54.240
Alright, so I'll erase this part
and then i'm going to lower the flow on
0:09:54.240,0:09:57.660
my erase brush and just blend in
0:09:57.660,0:09:58.740
what I did.
0:10:03.180,0:10:05.180
I'll increase the flow because
0:10:05.190,0:10:08.190
I just want to make sure that there is
none in my eye.
0:10:12.000,0:10:14.260
And I'll turn off my mask.
0:10:15.780,0:10:21.560
And I'll lower the exposure a little bit and then I
want to also change the color.
0:10:24.480,0:10:30.240
And I have green eyes so I'm going to go towards the
purpley color and then also bring down
0:10:30.250,0:10:33.250
the blues a little bit, ooh no, too much.
0:10:36.080,0:10:38.100
And now I have eye shadow! And if you
0:10:38.100,0:10:41.490
bring up the highlights a little bit
then you get some of the natural skin
0:10:41.490,0:10:44.130
underneath and it looks more natural,
0:10:44.130,0:10:48.600
it looks more like it's on my skin
than if I did this, it just looks like it
0:10:48.600,0:10:52.980
looks flat, it looks like it's just sitting
on top. So you do this and then the
0:10:52.980,0:10:56.100
natural highlights of the skin shows
through and it looks like makeup is
0:10:56.100,0:10:57.360
actually applied.
0:11:00.800,0:11:04.240
Okay, so we have eye shadow,
0:11:04.260,0:11:08.800
eyeliner, brightened whites, enhanced
iris, everything a little bit sharpened.
0:11:09.860,0:11:15.099
Let's do the eyebrow, because that's
important too, eyebrows frame your face
0:11:15.099,0:11:16.359
and your eyes.
0:11:16.359,0:11:20.739
So if they're not well defined, then your
eyes don't show as much, they don't pop
0:11:20.739,0:11:21.849
out as much.
0:11:21.849,0:11:27.970
Popping eyes, that's important. Okay, so I
have a new adjustment layer and it's
0:11:27.970,0:11:31.260
burn, and you don't want to do too much.
0:11:32.280,0:11:36.200
You don't want the person looks strange but just
0:11:37.120,0:11:44.680
naturally define their eyebrows. And your eyebrows
should be at the edge of your nose and
0:11:44.680,0:11:49.750
then out at an angle from the side of
your eye to your nose like this.
0:11:50.350,0:11:53.580
So from the corner of the nose to the
edge of the eye, up.
0:11:53.580,0:11:56.730
Dang, my eyebrows are on point.
0:11:56.730,0:11:57.500
ok
0:12:02.880,0:12:05.880
That's pretty good, I don't think they're too dark.
0:12:07.620,0:12:18.700
So let me zoom out and press Y to see
the before and after. I don't think I went too
0:12:18.710,0:12:22.640
far this time actually. Normally
what i would do is kind of take a break
0:12:22.640,0:12:27.290
because I've been acclimating to all of
these adjustments. Go get a drink or a
0:12:27.290,0:12:28.550
snack or whatever,
0:12:28.550,0:12:31.640
go do something els,e come back and look
at it again. And if your first thought is
0:12:31.640,0:12:32.750
like "whoa,
0:12:32.750,0:12:36.890
way too much to the eyes," then you know you
have to go in and kind of undo some of
0:12:36.890,0:12:41.150
your edits. But sitting here now, maybe
i'm wrong, but it looks pretty good.
0:12:41.150,0:12:49.640
Oh so one last thing that you may or may
not want to do is add more eyelashes.
0:12:49.640,0:12:53.320
Sometimes it works out well, sometimes it
doesn't ,it can depend on the picture.
0:12:54.410,0:12:58.100
I have more control in Photoshop but I'm
just keeping these videos to Lightroom.
0:12:58.100,0:13:02.120
I get people asking me that sometimes, but
i will get to doing
0:13:02.839,0:13:06.290
Photoshop videos, but for now, this is what's
happening.
0:13:06.290,0:13:11.330
Ok so we want the size of the brush all
the way down, is that small as it goes?
0:13:11.330,0:13:15.890
And the exposure all the way down just
so you can see what you're doing. And you
0:13:15.890,0:13:20.320
want to follow where the lashes
already are and make them longer.
0:13:22.880,0:13:26.600
I know what you're thinking, you're like "this look like
a spider's leg, Chelsea,
0:13:26.600,0:13:32.380
this looks stupid." You're right. But
it's going to get better.
0:13:35.980,0:13:38.080
So you want to follow the natural arch.
0:13:38.540,0:13:43.560
This is a lot easier with my wacom
tablet, if you're into drawing, you want
0:13:43.560,0:13:46.050
to follow the natural patterns of
eyelashes, you can see that they
0:13:46.050,0:13:47.730
crisscross. You can add like
0:13:47.730,0:13:55.319
another one like that and like that. I feel
like because I can't- I think it's the size
0:13:55.319,0:13:59.819
of the picture, it's not letting me make
my brush as small as I want. It works
0:13:59.819,0:14:05.490
better when your brush can be smaller.
But, so this is what you do and you make
0:14:05.490,0:14:08.490
the lashes a little bit longer because
what you're going to do is go to the
0:14:08.490,0:14:16.019
erase brush and put the flow down a bit
and then you're going to erase the tips
0:14:16.019,0:14:20.009
so that these fake hairs that you're
making naturally taper off like real
0:14:20.009,0:14:20.600
hairs.
0:14:26.840,0:14:31.060
Those look a little bit crummy, but it takes a little bit of
practice to get them straight and
0:14:35.000,0:14:39.340
And now we adjust the exposure so that they're far more subtle.
0:14:49.560,0:14:51.960
And then you can see it just makes the
eye lashes a
0:14:51.960,0:14:58.860
bit thicker. That's a cool trick. So if you
like this video, subscribe because i'll
0:14:58.860,0:15:02.370
have more coming up soon. I'll have more
lightroom videos coming out, longer ones
0:15:02.370,0:15:05.580
on doing things like portraits and
landscapes. Shorter ones on enhancing
0:15:05.580,0:15:08.580
eyes and lips and all sorts of things
like that. And we'll also have some
0:15:08.580,0:15:13.890
photoshop videos coming out soon. So
subscribe, like, share if you liked it and
0:15:13.890,0:15:17.700
if you really want to learn a lot about
lightroom, check out our book, our
0:15:17.700,0:15:18.810
lightroom 5 book
0:15:18.810,0:15:21.450
I think it's good and I think you will too.
Thanks, bye.