ASR: en
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here's a quick video on dirt mock-up
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like most things in Photoshop there's a
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million different ways you can do this
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this is just the way I found that's one
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of the fastest this image is actually
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pulled off the web but if you're doing
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this for any kind of professional
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reasons presentations I suggest either
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taking your own picture or contacting
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the garment vendor and asking them for a
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high-resolution photo it's really
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important that use a white t-shirt and
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not a colored t-shirt for reasons I'll
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show it later but it has to do with the
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shadows and working with a colored one
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can kind of slow that process up quite a
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bit so the first thing you want to do is
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get in there and just basically mass the
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tshirt out from the background I like to
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use the pen tool but if you're working
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with a pen tablet you can do that with
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an eraser tool or apply a mask and use a
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brush you know so just well actually I
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tend to like to zoom in a whole bunch
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but you know just go in there I'm just
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doing this really sloppy and you know
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get your edges down but I've actually
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already done all this so I don't have to
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waste your time with the masking part so
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i just save the path so once you're done
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it should look something like this you
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know i like to stick a color background
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in the back just so you can kind of see
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what you're working with a bit better
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and i'm actually going to apply this
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mask so it commits so here it is messed
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out the next thing you want to do is
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just select the actual t-shirt itself by
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holding ctrl or if you're on a Mac I
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believe its command and then clicking on
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the layer and then just while that's
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still selected make a new layer and then
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hit the mask button which is down here
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it looks like a rectangle with a circle
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in the middle just hit that so here you
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know this is a mass layer of the t-shirt
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select the image of the actual t-shirt
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and set it to multiply on the layer
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property and then here let's just name
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this like t shirt color and name this
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top one here that's your actual t-shirt
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shadows or whatever you want to call it
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it's always nice to label your layers
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especially someone else is going to use
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it and whatever you fill in this layer
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right here the t shirt color layer is
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going to actually become the color of
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your t-shirt in this case it's like a
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baby
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blue sort of if you select the shadows
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layer what you can do is hit ctrl L on a
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PC or command L on a Mac and bring up
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your levels and I usually take this
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middle one right here there's three
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arrows left middle and right basically
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the farther right you drag something the
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darker it gets a far-left the lighter I
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usually like to make them just a little
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bit darker you know you can kind of see
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what works best for you you don't want
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to make them totally blown out or it
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looks super super fake but you know
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that's really almost everything right
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there it's super super fast basically
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with your artwork I just dragged in some
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artwork previously you want to set it
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below your shadows layer if you want to
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do like a mast you know you can once
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again to select your shadows layer
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that's your outline of your t-shirt with
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a controller command and then once again
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apply that using the mask tool down here
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you can name this artwork and then just
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drag whatever artwork you want to show
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on the t-shirt inside the artwork folder
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and this way like let's say you were
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doing a belt print or a sublimation that
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covers the whole thing you know it'll
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automatically mask it for you saves a
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little bit time especially plan and
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reusing the same stuff over and over
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again and this is where you can really
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see too like if your shadows layer is
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enough like if you think it needs to be
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darker you can either you know go back
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levels darken it up a little bit
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although it tends to look a bit too much
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or you can just actually just dupe the
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shadows layer it'll do something similar
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this looks bad but you get the idea
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alright and now for black tees I'm
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actually just going to go on ahead and
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duplicate this layer altogether because
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this is kind of a bit of a different
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process you can actually is probably
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actually leave that turn off the art for
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now so with your shadows later on and
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the background being you know clear or
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white so you can see it going to
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channels and then pick red green or blue
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they should all look basically the same
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and just hit ctrl and click
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or if random Mac hit command and click
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it and that'll select basically all the
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darks inside of it then go back over
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your layers and with its still selected
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here right click and select inverse if
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you're on a Mac I think it's command
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shift I to select inverse and just turn
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off the shadows layer with this still
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selected and then you want to fill it
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with white and just hit a d to bring up
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your default colors then hit X to switch
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it over to white and then with Alt
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Delete it'll fill in white you're going
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to see what happens in just a second
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here using this t-shirt color just turn
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that on and then switch it to black and
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fill it using a alt delete' again and as
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you can see this looks a bad really bad
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you basically just want to take this
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layer you just created and rename this
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like dark shadows something like that
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and then bring down the opacity until it
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looks pretty real I'm at forty-one
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percent right now but you can play
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around and see what works for you this
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way you can actually use our rich black
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down here like if you were to go back to
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the other one with the colors here it's
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blue and I were to make this rich black
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you can tell there's like no shadows to
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be seen and what a lot of people will do
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is just bring this up you know so it's
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kind of like a dark dark gray but you
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can still see the shadows it's kind of
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your call which one you think looks
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better I mean the end results pretty
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darn similar I think the shadows in this
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darker one look a bit more apparent but
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sometimes if the shot isn't good it can
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look really bad too it's up to you just
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use your best discretion but that should
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cover it hope